MY FAIR LADY TICKETS
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For Henry Higgins, professor of linguistics and confirmed misogynist, transforming a street urchin into a lady is a trivial task, done to honour a bet with his friend Colonel Pickering. Until, of course, he meets the proud little cockney, Eliza Doolittle, and finds that his raw material might not be so easy to mould. Lerner and Loewe's exuberant adaptation of George Bernard Shaw's Pygmalion was always destined to be a smash hit.
Now My Fair Lady comes to Australia in a new production featuring your favourite songs such as 'Wouldn't it be Loverly' and 'I could have danced all night'
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Alan Jay Lerner & Frederick Lowe
For Henry Higgins, professor of linguistics and confirmed misogynist, transforming a streeturchin into a lady is a trivial task, done to honour a bet with his friend Colonel Pickering. Until, of course, he meets the proud little cockney, Eliza Doolittle, and finds that his raw material might not be so easy to mould. Lerner and Loewe’s exuberant adaptation of George Bernard Shaw’s Pygmalion was always destined to be a smash hit.
The irascible Henry Higgins, the irresistible Eliza Doolittle, and the glorious succession of show-stopping numbers from ‘I Could Have Danced All Night ’ to ‘Get Me to the Church On Time’ propelled this classic story into Broadway history.
Now My Fair Lady comes to Australia in a new production from the team that created The Pirates of Penzance.
Expect extravagant sets, outstanding performances, a virtuosic chorus and a veritable fashion parade of costumes.
Legend of Australian music theatre, Reg Livermore stars as Henry Higgins with one of Opera Australia’s brightest young talents, Taryn Fiebig, as Eliza. Nancye Hayes, who danced in the original Australian production at the start of her illustrious music theatre career, now joins the cast as the acerbic Mrs Higgins. This has all the ingredients for a ‘luvverly’ night in the theatre!
Director - Stuart Maunder
Set Designer - Richard Roberts
Costume Designer - Roger Kirk
Lighting Designer - Trudy Dalgleish
Choreographer - Elizabeth Hill
Reg Livermore - Professor Henry Higgins
Taryn Fiebig - Eliza Doolittle
Robert Grubb - Alfred P. Doolittle
Nancye Hayes - Mrs Higgins
Matthew Robinson - Freddy Eynsford-Hill
Rhys McConnochie - Colonel Pickering
Judi Connelli - Mrs Pearce (Melbourne)
Adele Johnston - Mrs Pearce (Sydney and Canberra)
Performed in English. Running time: approximately two hours and fifty minutes with one twenty-minute interval.
Tickets & 2008
My Fair Lady is a musical based upon George Bernard Shaw's Pygmalion and with book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The show's 1956 Broadway production was a smash hit, setting a new record for the longest run of any major theatre production in history. It was followed by a hit London production, a popular film version, and numerous revivals. It has been called "the perfect musical."
Henry Higgins, an arrogant, irascible professor of phonetics, boasts to fellow linguist Colonel Pickering that he can train any woman to speak so properly that he could pass her off as a duchess. Pickering is intrigued by Higgins's boast and wagers that Higgins cannot make good on his claim. Higgins takes on the challenge. He chooses as his subject Eliza Doolittle, a poor girl with a strong Cockney accent whom he encounters selling flowers in Covent Garden. An intensive makeover of Eliza's speech, manners, and dress begins in preparation for her appearance at the Embassy Ball.
Complicating matters is Eliza's father, Alfred P. Doolittle (Stanley Holloway), a cheerfully amoral and drink-loving dustman. He shows up to extract money from Higgins, claiming that Higgins is compromising Eliza's virtue. Higgins is impressed by the man's natural gift for language and his brazen lack of moral values ("Can't afford 'em!"). So he flippantly recommends Doolittle to an American millionaire who is seeking a lecturer on moral values. In the end, Doolittle gets a surprise bequest of four thousand pounds a year from the millionaire. This raises him uncomfortably into middle-class respectability.
Meanwhile, Eliza endures speech tutoring, endlessly repeating phrases like "In Hertford, Hereford and Hampshire, hurricanes hardly ever happen” (to demonstrate that "h"s must be aspirated) and "The rain in Spain stays mainly in the plain" (to practice the "long a" phoneme). Just as things seem hopeless, she suddenly "gets it" after Higgins eloquently speaks of the glory of the English language. Thereafter her pronunciation is transformed into that of impeccable upper class English. For her first public tryout, Higgins takes her to Ascot Racecourse. There she makes a good impression with her polite manners but shocks everyone by her vulgar Cockney attitudes and slang (thus establishing one of the show's themes: good elocution is only "skin deep"). But she captures the heart of an eager young man named Freddy Eynsford-Hill.
The final test requires Eliza to pass as a lady at the Embassy Ball. She does this admirably, even fooling a rival of Higgins, a Hungarian phonetician named Zoltan Karpathy, into believing that Eliza was "born Hungarian." After the ball, Higgins's ungrateful boasting about his triumph and his pleasure that the experiment is now over leave Eliza feeling used and abandoned. She walks out on Higgins, leaving the clueless professor mystified by her ingratitude. But Higgins soon realizes his feelings for her: he has "grown accustomed to her face." When Eliza tentatively returns to him, the musical ends on an ambiguous moment of possible reconciliation between teacher and pupil.
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