| Drottningholms
Slottsteater Tickets
Drottningholms Slottsteater
2009

We are offering
Drottningholms Slottsteater tickets in 2009
For
more information about Drottningholms Slottsteater, please contact
one of our consultants
|
Drottningholms Slottsteater Schedule 2009 |
 |
Sat 30 May |
16:00 |
Ariodante (Premiere) |
Tue 2 June |
19:30 |
Ariodante |
Thu 4 June |
19:30 |
Ariodante |
Fri 5 June |
19:30 |
Ariodante |
Sun 7 June |
16:00 |
Ariodante |
Tue 9 June |
19.30 |
Ariodante |
Thu 11 June |
19:30 |
Ariodante |
Sat 13 June |
16:00 |
Ariodante |
Sun14 June |
16:00 |
Ariodante |
Sat 25 July |
16:00 |
L'incoronazione di Poppea (Premiere) |
Wed 29 July |
19:30 |
L'incoronazione di Poppea |
Fri 31 July |
19:30 |
L'incoronazione di Poppea |
Sun 2 Aug |
16:00 |
L'incoronazione di Poppea |
Tue 4 Aug |
19:30 |
L'incoronazione di Poppea |
Thu 6 Aug |
19:30 |
L'incoronazione di Poppea |
Sat 8 Aug |
19:25 |
L'incoronazione di Poppea |
Fri 21 Aug |
19:30 |
Orlando (Guest Performance) |
Sat 22 Aug |
16:00 |
Orlando |
Sun 23 Aug |
16:00 |
Orlando |
 |
| |
|
Drottningholms Slottsteater Performance |
Opera in three acts by George Frideric Handel

Libretto: after Antonio Salvi
In Italian. Duration preliminary 2 hrs and 45 min incl. interval.
The King of Scotland is tottering on his throne, and power-hungry men scheme for supremacy. While the crusaders mobilise for new wars, women with no rights of their own are fighting for their survival and happiness. Out of chaos black as night a new era is dawning. But what can we hope for?
Conductor - Mark Tatlow
Director - Per-Erik Ohrn
Costumes - Lotta Danfors
Choreographer and movement - Patrik Sorling
The cast:
The King of Scotland - Andreas Franzen
Ginevra, his daughter - Elisabeth Meyer
Dalinda, her lady-in-waiting - Mathilda Ahnell
Ariodante, crusader knight - Ivonne Fuchs
Lurcanio, his younger brother - Jacob Wistrand
Polinesso, a Scottish duke - Jeanette Ekornasvag
Odoardo, the king's favourite - Luthando Qave
Squire-at-Arms - Alexander Kaufmann, Tobias Norenstedt, Erik Hoiby
The Drottningholm Theatre Orchestra
Opera in prologue and three acts by Claudio Monteverdi

Libretto: Giovanni Francesco Busanello
In Italian. Duration preliminary 2 hrs and 40 min incl interval.
The people, the senate, the laws of the land ¨C Emperor Nero no longer cares. He is the boss and he does as he likes. Soon his mistress Poppaea will have half of his power and all of his glory. But first there are a couple of problems to deal with: his old wife must be got rid of, and also his counsellors, as well as everyone else who is against their passion. Blood flows in the streets of Rome and soon even the heavens will be red, when the flames devour the city. Of this Nero is happily unaware as he sleeps head down in the exquisite bosom of Poppaea. Here is an opera without any morals, where no-one dares divulge that the emperor is actually naked. For then perhaps one's head (or the year's bonus) will vanish into the lion's jaws.
Musical direction - Mark Tatlow
Director - Johanna Garpe
Costumes - Karin Erskine
Lighting designer - Torsten Dahn
Cast:
Poppea/Pallas Athene - Ingela Bohlin
Nerone - Charlotte Hellekant
Ottavia/Famigliaro 1/Venere - Matilda Paulsson
Ottone - Christopher Ainslie
Seneca/Consolo - Lars Arvidson
Drusilla - Malin Christensson
La Virt¨´/Arnalta - Rickard Soderbergh
Soldato 1/Famigliaro 2/Lucano/Tribuno - Thomas Walker
Soldato 2/Famigliaro 3/Liberto capitano/Consolo - Lars Johansson Brissman
La Fortuna/Nutrice - Johan Christensson
Amore - Daniel Carlsson
The Drottningholm Theatre Orchestra
Opera in three acts by George Frideric Handel

Libretto: Carlo Sigismondo Capece after Ariosto
From the days of Charlemagne comes the tale of Orlando, a brave knight who pursued the beautiful princess Angelica. But love turns to jealousy, manipulation and madness. Will the truth be found in Hades? Can Zoroastro with his four genies really save Orlando? And why does this magical romantic tale have so much comedy?
Conductor - Nicholas McGegan
Director and choreographer - Catherine Turocy
Costumes - Bonnie Kruger
Lighting Designer - Pierre Dupouey
The cast:
Orlando - William Towers
Angelica, Queen of Cathay - Dominique Labelle
Medoro, an African prince - Diana Moore
Dorinda, a shepherdess - Susanne Ryden
Zoroastro, a magician - Wolf Matthias Friedrich
The New York Baroque Dance Company
FestspielOrchester Gottingen
Guest performance from the Internationale Handel-Festspiele Gottingen
With support from Foreningen Drottningholmsteaterns Vanner
The Drottningholm Theatre Orchestra
Drottningholm Theatre Seating Plan |
The auditorium has steeply raked stalls, and all the seats are padded with support for one's back

Ticket Prices: 
| Row Allocation |
AUD Price |
| Extrarow - Row 4 |
$160 |
| Row 5 - 7 |
$260 |
| Row 8 - 18 |
$160 |
| Row 19 - 26 |
$115 |
| Row 27 - 31 |
$60 |
About
Drottningholms Slottsteater |
A new generation of Swedish opera singers
face Mozart in Le nozze di Figaro. Zoroastre –that grandiose
French Baroque opera - does a lap of honour and will be televised.
The Drottningholm Ballets -50th contemporary anniversary-
to music by Purcell and Kraus, 250 years.
| Drottningholms Slottsteater
was built to the design of the theatre architect, Carl
Fredrik Adelcrantz, at the request of Queen Lovisa Ulrika.
The building was completed in 1766 and rests on the remains
of an earlier theatre destroyed by fire in 1762. |
 |
Drottningholms Slottsteater
is built in simple materials. The decorations of the auditorium
have been carried out as a theatrical game with stucco, papier
mâché and paintings. The rooms surrounding the
stage and auditorium acted during the 18th century as dwellings
for the staff and as public rooms. In 1791 certain rearrangements
of the royal apartments were made and a foyer, the Déjeuner
Salon, was built to the design of L. J. Desprez.
 |
The stage measures 20 metres
from the footlights to the back and is still one of the
deepest in Sweden. The stage machinery, constructed by
the Italian mechanic D. Stopani, allows of quick changes
of scenery with the curtain up. In addition, the stage
has moving waves, trapdoors, cloud cars, lighting machinery
and wind and thunder apparatus. |
After Gustaf III's death in 1792 Swedish
theatrical life stagnated. Drottningholms Slottsteater
was more or less forgotten. At the beginning of the 1920's
the court theatre was "rediscovered" by the literary
and theatre historian Agne Beijer. Under his guidance the
theatre was restored to its original shape. The stage machinery
was fitted with new ropes and the wax candles were replaced
by electric lamps. The unique collection of original scenery
(about 15 complete sets and 20 incomplete) has nowadays been
copied.
On 19th August 1922
the curtain rose again at Drottningholms Slottsteater.
The performances, few at first, were gradually increased,
and the theatre aquired a growing international reputation
as a festival theatre, with works by Haydn, Handel,
Gluck and Mozart. There have been innumerable performances
by artists and companies from abroad. Drottningholm
ballets soon became a criterion for reconstructed
ballets from the 18th century. Music played on authentic
instruments has been one of the theatre's aims. |
 |
Drottningholms Slottsteater
is administrated by Stiftelsen Drottningholms teatermusem.
Performances are financed with contributions from the Swedish
State and sponsors and also annually recieve financial support
from Besides the theatre's own productions the Royal Opera,
Stockholm, gives guest perfromances each year.
In 1991 the World Heritage
Committee of UNESCO designated the theatre, together with
Drottningholm Palace, the Chinese Pavilion and the surrounding
park, as beeing of international cultural heritage significance
and listed on the UNESCO's list of world heritage.
We are offering Drottningholms Slottsteater tickets in 2009
For more information about Drottningholms Slottsteater, please contact one of our consultants |